Metamorphosis Of Narcissus - Salvador Dali Essay -- Art Artwork

The painting Metamorphosis of Narcissuswas created in 1937 by fossil oil color on canvas by Salvador Dali. This painting usesa lot of images to enunciate what it means, for example, a person, a hand, water,a starving dog, a chess board, a canyon or cliff, and people. This is notto fill the paper or forefend the viewer from the suggested meaning orpoint, further to support the idea that desire and despair argon reflections ofone another on opposite sides of a coin, spinning in mid-air, waitingto land and fix or unmake e realthing.The first thing that one thinks upon firstseeing it, from far away, is that Dali near painted the same thing twice.From afar, it appears as if he simply edit out the canvas down the center andmade one side chocolate-browned and the other blue, that on closer inspection, one seesthat the two sides, although re bothy similar, ar nothing alike.On one side, there sits a snag body staringat the reflection of herself in the water that she sinks in. T he context of usesun glistens off the back of her head, but she ripe w altogetherows in blue depressionand boredom. The canyons trap her in the barren wasteland as she sits motionless,without movement, struggle, or life. This mysterious figure looks so vacantthat it might as sound be dead. Nothing is happening on this side, so onesattention is order to the other.On the other side, a blue decaying handemerges from the ground with ants creeping on it, possibly making theirhomes in it or finding nutrition on it. Atop this pedestal, rests an egg witha flower sprouting from it. This viewing of life emerging from the deadis a symbol of apprehend and beauty. To the left hand hand of the hand, a real(prenominal) unhealthymalnourished dog feasts on new-fashioned meat his salvation is handed to him andhe survives. Behind the dog is a chess board with a young man in the midpointof it, proudly surveying the battlefield as though it were his kingdom.To his left are people on a r oad that leads off into the horizon. All thesethings signify new beginnings out of old life and hope from death.The message that Salvador Dali was hardto get across is that hope and despair, failure and victory, and life anddeath are all equal forces, each one pulling the other in an eternal warto balance everything. Its all a cycle, and like all cycles, it repeatsitself forever and ever, and theres no way of having one without the other.Guemi... ...es. Texture is kept to a minimumin the specific work as it is a very two dimensional art work and as iscommon of the cubism style. He has made extremely good use of space as approximately the entire canvas is utilize, while maintaining the balance which isnecessary to keep the firearm aesthetically pleasing. Among the manysymbolic images in the work are a bull, a horse a soldier with a broken vane and a woman looking out of a window with a very concerned look onher face. The broken sword in the soldiers hand, which can be seen at the bottom center of the theme was employ to exemplify the broken spiritsand the failure to resist on the billet of the people. The woman is a symbolof concern for the fighting people by people who have succeeded in beingable to see the unanimous picture.The largest contributing factor to Guernicasoverall appeal is the excellent use of symbolisation which encourages itsaudience to think. If ever given the opportunity I would be approximately interestedin seeing the original of this work. I have gained a lot of respect fornot only the artistic integrity of this painting, but also for Pablo Picassoas an overall intuitive and creative person. Metamorphosis Of Narcissus - Salvador Dali see -- Art ArtworkThe painting Metamorphosis of Narcissuswas created in 1937 by oil on canvas by Salvador Dali. This painting usesa lot of images to claim what it means, for example, a person, a hand, water,a starving dog, a chess board, a canyon or cliff, and people. This is notto fill the paper or forfend the viewer from the suggested meaning orpoint, but to support the idea that hope and despair are reflections ofone another on opposite sides of a coin, spinning in mid-air, waitingto land and fix or abate everything.The first thing that one thinks upon firstseeing it, from far away, is that Dali just painted the same thing twice.From afar, it appears as if he simply diagonal the canvas down the middle andmade one side brown and the other blue, but on closer inspection, one seesthat the two sides, although very similar, are nothing alike.On one side, there sits a tour body staringat the reflection of herself in the water that she sinks in. The shotsun glistens off the back of her head, but she just wallows in moody depressionand boredom. The canyons trap her in the barren wasteland as she sits motionless,without movement, struggle, or life. This mysterious figure looks so vacantthat it might as hale be dead. Nothing is happening on this side, so onesattent ion is tell to the other.On the other side, a blue decaying handemerges from the ground with ants move on it, possibly making theirhomes in it or finding provender on it. Atop this pedestal, rests an egg witha flower sprouting from it. This pageant of life emerging from the deadis a symbol of hope and beauty. To the left of the hand, a very unhealthymalnourished dog feasts on judicious meat his salvation is handed to him andhe survives. Behind the dog is a chess board with a young man in the middleof it, proudly surveying the battlefield as though it were his kingdom.To his left are people on a road that leads off into the horizon. All thesethings symbolize new beginnings out of old life and hope from death.The message that Salvador Dali was seekto get across is that hope and despair, failure and victory, and life anddeath are all equal forces, each one pulling the other in an eternal warto balance everything. Its all a cycle, and like all cycles, it repeatsitself forever and ever, and theres no way of having one without the other.Guemi... ...es. Texture is kept to a minimumin the specific work as it is a very two dimensional art work and as iscommon of the cubism style. He has made extremely good use of space as tight the entire canvas is used, while maintaining the balance which isnecessary to keep the composition aesthetically pleasing. Among the manysymbolic images in the work are a bull, a horse a soldier with a brokensword and a woman looking out of a window with a very concerned look onher face. The broken sword in the soldiers hand, which can be seen at thebottom center of the composition was used to symbolize the broken spiritsand the failure to resist on the intermit of the people. The woman is a symbolof concern for the fighting people by people who have succeeded in beingable to see the in all picture.The largest contributing factor to Guernicasoverall appeal is the excellent use of symbolisation which encourages itsaudience to think. If e ver given the opportunity I would be near interestedin seeing the original of this work. I have gained a lot of respect fornot only the artistic integrity of this painting, but also for Pablo Picassoas an overall intuitive and creative person.